Nonprofit boosts underwriting revenues through compelling words, visuals…and music
BUSINESS PROFILE STRATEGIES AND TACTICS Achieve the full underwriting potential Infuse a good presentation with Nationally, almost one-third of adults new impact regularly fit classical music into their lives, Spoken Impact’s overall strategy was at home and in their cars, according to the not to start from scratch, but to build Knight Foundation. Clearly, classical music on what Moore and her underwriting is alive and well in the U.S. Yet, in 2001, sales team had already accomplished. this reality was not reflected in the level “They had a lot of good elements in the of corporate underwriting for Minnesota presentation,” explains Moser. “So our Public Radio’s classical music program-discussion centered on ‘how can we ming, according to Mickey Moore, Senior make it better?’” Director of Underwriting Sales.
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1660 South Hwy 100, Suite 500, St. Louis Park, MN 55416,
Phone: 952-697-3560 www.spokenimpact.com

Nonprofit boosts underwriting revenues through compelling words, visuals…and music

BUSINESS PROFILE STRATEGIES AND TACTICS

Achieve the full underwriting potential Infuse a good presentation with

Nationally, almost one-third of adults new impact regularly fit classical music into their lives, Spoken Impact’s overall strategy was at home and in their cars, according to the not to start from scratch, but to build Knight Foundation. Clearly, classical music on what Moore and her underwriting is alive and well in the U.S. Yet, in 2001, sales team had already accomplished. this reality was not reflected in the level “They had a lot of good elements in the of corporate underwriting for Minnesota presentation,” explains Moser. “So our Public Radio’s classical music program-discussion centered on ‘how can we ming, according to Mickey Moore, Senior make it better?’” Director of Underwriting Sales.

In what Moore terms a “true collabora-In 2002, Minnesota Public Radio launched tive” effort, Moser and the Minnesota the Golden Baton program to bolster Public Radio team brainstormed enhance-corporate underwriting for classical music ments to the Golden Baton presentation. programming. Moore remembers the first One of the first issues they tackled was presentation to prospective members, the lack of a unifying concept. which occurred in October 2002.

“The previous presentation didn’t fully “It consisted mainly of words on a screen, capitalize on what was possible with the which we pretty much read verbatim. Golden Baton theme,” says Moser. “Our Potential advertisers did buy into the goal was a presentation that would be program, but more on its merits than the totally unified around Golden Baton.” strength of the presentation, and many of them renewed their membership. As Moser also helped Minnesota Public Radio a result, we’ve grown the Golden Baton “elevate the concept of a membership program every year.” program,” says Moore. “Joan heard us

calling it a membership program, but she Still, Moore knew that Minnesota Public didn’t see us behaving that way. She really Radio had only begun to tap into its challenged us to make our corporate underwriting potential. Thus began an underwriters feel as if they were members ongoing quest to strengthen the Golden of something special.” Baton presentation and how it was communicated. Moore brought in Joan A major part of the joint endeavor Moser of Spoken Impact to assist in taking included rehearsal presentations, in which the Golden Baton presentation to the Moser worked individually with each next level of success. of the six presenters to shore up their

delivery skills. “Her suggestions really made a big difference,” declares Moore.

“And often they were simple tips that just didn’t occur to us. Each of us worked on different areas of our delivery.”

Using a golden conductor’s baton as a recurring image, the revitalized presentation incorporated a number of intriguing new or upgraded elements:

  • Dynamic supporting visuals A far cry from slide after slide of bulleted copy, the refreshed Power-Point presentation made liberal use of animation, motion, and sound, including a rousing rendition of the “Hallelujah” chorus, all focused on capturing and holding the audience’s attention.
  • Personal stories — Moser encouraged the presenters to share an anecdote highlighting their individual relationships with classical music, thus making the presentation “their own” and establishing authenticity.
  • Powerful member testimonials In the average PowerPoint presentation, testimonials appear as written works on slides. For the Golden Baton campaign, presenters brought testimonials to life by recounting a conversation with a member. This segued into a recorded member testimonial, accompanied by his or her image on the screen.
  • Meaningful location — From a brainstorming session came the idea of holding several of the Golden Baton presentations at a central venue for classical music: Orchestra Hall in Minneapolis. Moore believes this setting made attendees feel special.

One final touch: Companies agreeing to join the program received an actual conductor’s baton, inscribed with “Golden Baton” and the year of their participation. Besides bringing the baton symbol full circle, this gift further strengthened the sense of belong to a special community.

REALIZED VALUE

‘Very happy with our return on investment’

It didn’t take long for Moore to realize that the reworked Golden Baton presentation was truly something special. “There was a lot more head nodding, a lot more leaning in, a lot more energy in the room,” she recalls of sessions with prospective members. “A couple of times, people actually clapped at the end.

“You know, we didn’t have a bad presentation before. It’s the difference between something that was fine and something that was powerful…full of energy. During one of our presentations at Orchestra Hall, I remember thinking, wow, this is a blast! People are loving it! This is great! Also, for those of us who presented, it was a more positive, less draining experience.”

From a financial perspective, Moore considers the investment with Spoken Impact an unqualified success. The answer in this case is self-evident, she maintains. Statewide corporate underwriting for this initiative grew from approximately $750,000 for 2005 to $978,000 for 2006. Greater Minnesota experienced the most dramatic gain, increasing from $20,000 to $180,000. In the Twin Cities, the growth was a substantial 11%.

“Overall, we saw about a ten-to-one return on our investment,” states Moore. “We were hoping for some increase in underwriting, but this was much more than we had anticipated. We’re very happy with our return on investment.”

“Overall, we saw about a ten-to-one return on our investment”

1660 South Hwy 100, Suite 500, St. Louis Park, MN 55416, Phone: 952-697-3560 www.spokenimpact.com